Standing in front of the tomb 2019 |
Burton's Tomb c. 1891 |
Sir Richard Francis Burton (1821-1890)
was a renowned explorer of the Victorian age. He was also a prolific writer, fluent
in 29 languages, was a studious anthropologist, quite possibly a spy for the
British Empire, a translator of exotic and risqué books such as the Kama Sutra
and Arabian Nights, and an accomplished fencer. Recently I had the opportunity to
visit the unusual mausoleum where he is buried.
FENCING BOOKS
He wrote four books dealing with
fencing: A Complete System of Bayonet
Exercise (1853), A New System of Sword Exercise for the Infantry (1876), The
Book of the Sword (1884), and the Sentiment of the Sword (1911 – published
posthumously).
LIFE OF BURTON
In a review of Isabel Burton’s 1893
biography of Richard, the London Times said of him "Few men of our time
have led a more romantic and adventurous life than the late Sir Richard F.
Burton. A consummate linguist and intrepid traveler, without a rival in
his varied knowledge of men, races, and religions, the hero of innumerable
adventures, and of more than one almost impossible undertaking, Burton stands
forth in these humdrum days as a rare and almost unique personality.”
He was born in a seaside town of Devon,
England in March of 1821. His father was an Irish-born British army officer who
traveled extensively during Burton’s youth. Because of this he was educated by
tutors, for which fencing was one of the few lessons he enjoyed.
Burton was expelled from Oxford in 1842,
after which he enlisted with the army of the East India Company. His knowledge
of local languages helped his work in surveying and intelligence.
In 1853 he disguised himself as an
Islamic pilgrim and visited the holy cities of Mecca and Medina, and gained
fame upon the 1855 publication of his adventures in the book “Personal
Narrative of a Pilgrimage to el Medinah and Meccah”. Following this he began
his expedition to find the source of the Nile River in 1857 with John Hanning
Speke. Controversy surrounded the bitter disagreement between the two men about
their findings, which ended when Speke shot himself, either in a hunting
accident of by suicide.
Isabel Burton 1869 |
In 1861 he married Isabel Arundell and
the rest of his career involved the British Foreign Office, where the two lived in Brazil, Damascus, Syria, and
finally in Trieste, Italy. He was knighted in 1886. Isabel shared in many of his
adventures and activities, practicing fencing with him and with fencing-masters
when he was away.
Burton died in Trieste at the age of 69
from a heart attack. The design of the tomb was at Burton’s suggestion. Mary
Lovell wrote in the Burton biography A Rage to Live that Isabel asked him if
he preferred cremation. Burton replied with his usual joke “I do not want to
burn before I have got to.” Not being able to cope with a burial at sea, Isabel
asked if any other sort of funeral would do. “Yes,” he said, “I should like us
to lie in a tent, side by side.” Burton’s funeral in England was on June 15,
1891, the tomb being completed shortly prior. Isabel died in 1896, and joined
Burton in his tent.
EXTERIOR OF THE TOMB
The tomb is in the shape of a tent, not necessarily
an Arab one as is often described, but more probably modeled on a tent that
Richard and Isabel has used for their travels in Syria, tall enough to
accommodate the 5’11’ Burton. Burton’s fascination for Arab culture is
represented by such Islamic elements as the crescent and star motif around the
roof edge, coupled with Isabel’s belief in Catholicism as seen by the crucifix
atop the front.
The exterior is made of Forest of Dean
stone, while the inside floor is Carrara marble.
View of the tomb with the church in the background |
View from the front of the tomb, where you can see the residential neighborhood in the background |
PLAQUES
The front of the tomb bears three
marble plaques, one styled as an open book and bearing Richard and Isabel's
life dates, a larger tablet containing a memorial poem by Justin Huntly
McCarthy, and a stone ribbon commemorating the donors who helped pay for the
tomb. McCarthy was an Irish-born novelist and poet who translated some Persian
works and helped with one of the publications of the Arabian Nights titled Lady
Burton’s Edition of Her Husband’s Arabian Nights. Translated literally from the
Arabic. Prepared for household reading by Justin Huntly McCarthy.
THE WINDOW
A window at the rear of the tomb can be
accessed by an iron ladder. From it you can view the interior of the tomb. Now
plate glass, the window was originally made of stained glass.
Maria takes a peek, as well |
INTERIOR
OF THE TOMB
Through
the window can be seen the interior of the tomb. To the left is Isabel’s
mahogany coffin, and on the right is Richard’s steel coffin.
The facing wall has a mirror that
reflects a small altar underneath the window. The altar holds a crucifix,
censers and candleholders. Two glass flasks can be seen on the left of the
altar, which are said to contain water from the sacred wells at Mecca that
Burton had retrieved.
Large paintings hang over each coffin
and glass lights are seen on the floor. Camel bells are strung from the ceiling
which apparently would ring when the tomb door, no longer operating, was
opened.
Looking towards the left side of the tomb (Isabel's coffin) from the window |
Looking towards the right side of the tomb (Richard's coffin) from the window, with an odd glare on the bottom right. |
LOCATION OF THE TOMB
The tomb is located in the churchyard of St. Mary Magdalen Roman Catholic Church. The church was built in 1852 in Mortlake, about 8.5 miles west of central London. The plot belonged to Isabel’s family.
The churchyard is a short distance from the Thames, and is a quiet spot
separate from the village life surrounding it.
If you plan to visit the tomb be aware
that there are several churches with similar names in the London area The church can
be accessed fairly easily with a train ride and a bit of walking. The address is 61 N Worple Way, Mortlake, London SW14 8PR, UK